“Decked out informally in jeans and a white cotton blouse, the show was aimed at intimacy. With candor and humor, Errico dropped a certain amount of stage glamor for the personal approach of sharing her story with characteristic intelligence and supreme self-confidence, plus wit and humor (speaking of her appearing au natural on stage, she dubbed it “ingénudity). To these well-established abilities and a flawless flute-like soprano, add a passion for language and telling stories, which has led to her becoming a contributing writer for The New York Times.”